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Sublime album cover
Sublime album cover










Using the same tactics implemented for the recording of Jah Won't Pay the Bills, the band recorded 40oz. The tape helped the band gain a grassroots following throughout Southern California. The recording session resulted in the popular cassette tape called Jah Won't Pay the Bills, which was released in 1991. The band enthusiastically agreed and broke into the school at night, where they recorded from midnight to seven in the morning. In 1990, music student Michael "Miguel" Happoldt approached the band, offering to let the band record in the studio at the school where Happoldt was studying. They tried, but it just sounded like such garbage. Nowell recalled the experience: "I was trying to get them to do ( UB40's version of) 'Cherry Oh Baby', and it didn't work. At first, Wilson did not share Nowell's interest in reggae music. to Freedom's sound blended various forms of Jamaican music, including ska ( "Date Rape"), rocksteady (" 54-46 That's My Number"), roots reggae (" Smoke Two Joints"), and dub ("Let's Go Get Stoned", "D.J.s") along with hardcore punk ("New Thrash", "Hope") and hip hop (as in "Live at E's").Īt the age of sixteen, Bradley Nowell began playing guitar and started his first band, Hogan's Heroes, with Michael Yates and Eric Wilson, who would later become Sublime's bassist. to Freedom is one of the highest-selling independently released albums of all time.Ĥ0oz. Along with The Offspring's 1994 album Smash, 40oz.

sublime album cover

As of 2011, the album has certified sales of two million copies in the US and is Sublime's second best-selling studio album there (the self-titled album leads with six million). Sublime would not achieve any mainstream success until the release of their eponymous album in 1996, two months after the death of their lead singer and guitarist, Bradley Nowell.

sublime album cover

to Freedom received mixed critical reviews upon its first release but has earned an improved public perception since. to Freedom is the debut studio album by the Southern California ska-punk band Sublime, originally released on Skunk Records and later reissued by MCA.












Sublime album cover